Thomas Doherty is Associate Professor of American Studies and Chair of the Film Studies Program at Brandeis
University. He is the author of two previous books, including Pre-Code Hollywood: Sex, Immorality, and Insurrection
in American Cinema, 1930-1934, which was a New York Times Notable Book for 1999.
Review
"Thomas Doherty is a wonderful film historian, as well as an astute cultural observer and a scholarly live
wire. His account of Hollywood youth movies is as sensitive to the craziness of the marketplace as that of the
movies themselves-smart, detailed, and near-definitive."
--J. Hoberman, film critic, The Village Voice
"Thomas Doherty's Teenagers and Teenpics, a fascinating study of Hollywood's response to the newly discovered
youth market in the 1950s, felicitously brings together solid research, sensitive critical analysis, and an engaging
writing style. Too long out of print, Doherty's book, which now brings the saga of 'teenpics' up to date, remains
an indispensable guide to a significant aspect of American culture."
--Michael Anderegg, author Orson Welles, Shakespeare, and Popular Culture
"For an example of real scholarship in the field of cultural studies, one cannot do better than Thomas Doherty's
Teenagers and Teenpics--an astute introduction to the 'juvenilization,' not just of Hollywood, but of America's
post-war pop culture more generally."
--James Miller, Director of Liberal Studies, New School University, and author of Flowers in the Dustbin: The
Rise of Rock and Roll, 1947-1977
Publisher Web Site, December, 2002
Summary
Teenagers and Teenpics tells the story of two signature developments in the 1950s: the decline of the classical
Hollywood cinema and the emergence of that strange new creature, the American teenager. Hollywood's discovery of
the teenage moviegoer initiated a progressive "juvenilization" of film content that is today the operative
reality of the American motion picture industry.
The juvenilization of the American movies is best revealed in the development of the 1950s "teenpic,"
a picture targeted at teenagers even to the exclusion of their elders. In a wry and readable style, Doherty defines
and interprets the various teenpic film types: rock 'n' roll pictures, j.d. films, horror and sci-fi weirdies,
and clean teenpics. Individual films are examined both in light of their impact on the motion picture industry
and in terms of their important role in validating the emerging teenage subculture. Also included in this edition
is an expanded treatment of teenpics since the 1950s, especially the teenpics produced during the age of AIDS.
Table of Contents
Acknowledgments
1. American Movies as a Less-than-Mass Medium
2. A Commercial History
3. The Teenage Marketplace
4. Rock 'n' Roll Teenpics
5. Dangerous Youth
6. The Horror Teenpics
7. The Clean Teenpics
8. Generation after Generation of Teenpics
Notes
Selected Filmography
Index to Film Titles
General Index
