The Nature of Photographs is the essential primer of photography, not only for students but for anyone with
an interest in the medium. This book grew out of a college course that Stephen Shore taught for many years. Its
aim is not to explore photographic content - the subject of an image - but to describe the physical and formal
attributes of a photographic print, The very elements that form the tools a photographer uses to define and interpret
that content. By teaching us how to look at photographs and helping us to see the world the way the photographer
may have seen it, Shore also teaches us a way of looking at the world around us. The Nature of Photographs is a
primary tool for critical analysis And The understanding of photography in general. As one of the photographers
who established colour photography as a legitimate medium of artistic expression in the early 1970s and an influential
and important teacher of both the theory and practice of photography, Stephen Shore is the ideal guide To The subject
of 'how' to look at photographs. By putting himself in the shoes of the photographers, he imagines the concerns
or approach To The subject or concept they may have had when they were taking the picture. As well as a selection
of Shore's own work, The Nature of Photographs contains images from all eras of photography, from classic images
by Walker Evans, Brassai and Eugene Atget to more contemporary work by Bernd and Hilla Becher, Cindy Sherman, Joel
Sternfeld, Thomas Struth, Richard Prince and Andreas Gursky. it includes all genres, such as street photography,
fine art photography and documentary photography, As well as images by unknown photographers, be they in the form
of a snapshot from the early days of photography or an aerial photograph taken as part of a geographical survey.